Tuesday, 2 May 2017

Variety Performance - Not Today

Variety Performance - Not Today


My original ideas for my variety performance was to play a piece from a musical on my trumpet. However, I watched the music video for the K-Pop song 'Not Today' by BTS (Bangtan Boys) and instantly fell in with the complex routine and message behind the song. After the video had finished, I desperately wanted to learn and perform the dance because I felt that it would show my determination to learn new things and introduce people to different cultures through a medium that everyone loves: music.


Once I decided upon my performance and started learning the choreography, I already had some clear ideas on the presentation of the piece as a whole. I knew that I wanted the music video playing behind me as I danced, which meant that I would have minimal lighting so that the projection could be seen, however I also needed to be lit enough for people to see me perform. I wanted basic lighting so that the audiences attention would be drawn between the music video and myself rather than the intricate lighting and staging.


I didn't feel the need to change or adjust anything in my performance after learning the choreography because I wanted my piece to be a personal presentation of the original performance and was capable enough to perform the dance without need to create different variations of dance moves so that they were possible.


I need some support on the second verse due to there being not dancing in this section; the issue was resolved quickly when I was given the idea to repeat the movement from the first verse with a slight variation because the verse was slightly shorter than the first.

Rehearsing:
The first few rehearsals, I reassured that I knew the dance completely by watching the music video and then danced along to it whilst I had a peer watch to feedback on my performance and point out any incorrect movements on my behalf. Once I was positive that I knew the dance completely, I began rehearsing with the video behind me and filmed my performance to see how it looked and to see my timings with the video.

I wanted my act to introduce people to the Korean culture through their music, as well as the message of the song clinging to me; that you must fight against the struggles life throws at you and to never give up on what you want, just fight harder. I felt that effect was achieved and it has even made some of my peers interested in the Korean culture through this medium.

To make sure that my performance was confident and technically secure ready for the performance, I rehearsed relentlessly in and outside of lessons and made sure that I had a clear idea about lighting and projection for my piece.




                                                                     (Starts 8:36)



Thursday, 30 March 2017

'Our House'

'Our House'
In the past few lessons, we have been blocking the script of 'Our House'.

As well as blocking for the main characters, we also blocked the chorus in each scene.

Our teacher gave us free reign over the blocking and staging process, however suggested ideas if we found ourselves stuck. We completed the blocking process after three weeks.

During the blocking process, I suggested (during the prison scene, when Joe says he regrets meeting Sarah) that we should use prisoners to hold poles, the represent the prison bars, and that these bars should be diagonally down the stage; when Joe's Dad is talking to Sarah he could walk through the bars to get to her to portray the fact that he is dead.

Throughout the whole blocking process, everyone wrote their positions and placements so that it would be easy for each actor to remember this blocking during later rehearsals.

~

Blocking and rehearsing has become a lot easier now that scripts are down because we can now focus on the staging of each scene rather than trying to stage everything whilst reading our lines of the page. We can focus on trasitions between scenes and who is going to enter/exit the stage at different points before/during/after the scene is anyone does at all; some scenes we are linking together by having little to no people leaving the stage so that we keep up the pace of the show and to keep the fluidity.

This also means that choregraphing the dances is much easier for the same reason as well as focusing on harmonies and the pitching of each song individually.






Tuesday, 28 February 2017

Character Exploration (Our House)

Character Exploration


Kate - Joe's Mum
Traits and Relationships,
Three Character Traits
How they impact relationships
Quotes to back these up (Lines and Stage Directions)






Questions:
Is your character funny? Yes, because I feel that she is wit and has a good sense of humour. (Standing with Billie, Angie, Reecey, Joe, Lewis, Emmo, Joe's Dad)
Quote: 'It's either yours or Clint Eastwood's' - Kath


Do you have any real friends? No, because my husband died and he was my only true friend. (Reecey, Joe's Dad)
Quote: 'He died.' - Joe


Do you hold a grudge? I don't think so, because she is level headed and feels that everything she would hold a grudge over is out of her own control. (Reecey)
Quote: '


Do you make irrational/stupid choices? No, because she is level headed and is always thinking about her son, Joe. (Angie, Billie, Lewis)
Quote: '


Do you have a secret agenda? Yes, looking for another husband.


Three Character Traits - Humble, Caring, Level-Headed.


Improvisation (Park):
My character was very caring, she was looking after everyone in the park that she could. She became friendly with Jennah's character, Maddy's character and Harry's character. I felt that I represented my character well because I wanted her to be caring and motherly.

Friday, 10 February 2017

Draft Two

The Demons Within

By
Victoria Tullett











Victoria Tullett
vickyt1998@hotmail.com
+44 7714 280876
West Sussex, BN14 0AQ

©2016 V.TULLETT Productions





Scene 1

JULIA (Age: 24)
I suck in a breath, cold and harsh, feeling nothing; this is normal, while my head reels and spirals out of control. I’m cold, frozen. The coldness of the world has destroyed me. It drains the light from the soul and the warmth from the now shell of the body. I feel numb, the nothingness taking control. Icy shards piercing the brink of my corrupt brain, paralysing the nerves; the emotions, the feelings, any feeling, cemented by the frost running through the empty case I know as my body. I feel the pain - pain that is so strong it penetrates through the ice cold to the fragile surface. It burns. What a contrast from my frozen corpse. Pain is a feeling, the only one I can experience. Pain is better than the numbness of reality. I can control Pain; I already have, and I carry its leash with me, Pain’s silver sharp leash that I wield in the face of the numbness, the frost. The blood that’s placed throughout my frozen vessel still flows, another element of the body the frost cannot control. I see it flow, trickling along my frigid flesh as I dominate Pain, a sharp sting crawling over my skin. I restrain the shriek biting at the back of my throat; my features remain indifferent, despite being isolated from the world the mask still remains. The mask that makes people believe that I am as happy as ever, the mask that makes them say, “Oh Julia, you are such a content person”, the mask that stops people raising concern because I am just the ‘same old Julia!’ The ‘I’m Fine’ mask. They see ‘happy little Julia’; besides, seeing is believing, right?

DEPRESSION
I am your controller, your handler. You cannot tame me. The metal in your fist tames Pain, but Pain and I are not the same. Pain is not part of me and he will never be, he is part of you. You have tamed Pain so you think you have then tamed me? I am untamable, don’t you see? You are under my control, and you will be for as long as you live; even in other lifetimes,other world, I will be there, haunting you. I am the one the strikes Fear in the soul of every being before me. Everyone has, and will always, suffer from the taument I arise in them, and it will never end. Why should it? I am just getting started. Clutching the brain and stammering every pleasant thought, every feeling; everyone will suffer, no matter their strength and resistance. I make them feel pain, agonising pain surging under the skin. Then everything froze, the river of pain flowing below becoming static, numbing the vessel it once gushed through. I feel no pity for the suffering, I feel it for the ones that survived. This is my design.


Scene 2

LUCY (Age: 14)
I’ve been told that mirrors lie to the person in front of it, but why would something so treasured and pure lie to the innocent. No, a mirror never lies. The voices in my head never lie. The results of my actions never lie, yet the scars they leave are permanent. The feather-like lines along my knuckles, the drastic drop in my health and mental wellbeing, but the results are proving that these permanent scars are worth their while. I don’t believe that the scars are permanent, but my doctor insists, he has even given me a food chart and a weekly meal diary. He thinks that I am starving myself, pushing all my food away. But the reality is that I do eat, I binge eat everything I can, but it doesn’t stay there for long. My friends always say that they will come to the toilet with me, so they can go on and on about how Jake was staring at them during maths or whatever, and they always question me when I refuse. They are all naturally skinny, they won’t understand. No-one understands. I’ve got used to it now, the clenching of my stomach, trying desperately to cling on to whatever it can so that my body won’t starve another day; the strain in my fingers being forced lower, and my forearms bracing the toilet seat while my knees shatter on the stain-covered floor of the girls toilets. My eyes never lie to me; besides, seeing is believing, right?


BOLIMIA
You are mine. I own you, all of you is mine. I created the scars, feathering lines through the brain and penetrating the skull causing it to shatter against the constant strikes hammering from the inside. Scars expanding whilst your structure perishes. Your only comfort being the piss-stained surface beneath your shattering knees, so alone. But, as I have always said, it’s all worth it. You believe me, right? Everything I do is for you, it is all for your sack. Why would I do all this just for me. I don’t gain from this, or do I? You must listen to me, learn how to control these despicable thoughts that cloud your brain, blurring your vision of what you want, who you want to be. Or have you forgotten. Compare your dreams to reality; is what you have really what you want? Look at her, the real you, staring you down in exasperation due to what you have become. This is my design.


Scene 3

DIANE (Age: 19)
Fingers tingling, body numbing, breath quickening. Heart racing, skipping beats, count them, one, two three, four, five … Racing too fast, can’t keep up. Lungs collapsing under the weight. Lips quivering, tears threatening to spill; stomach churning, choking, Fear is lodged in my throat. I can never escape Fear, he always finds me. He greets me as a friend, kind compassionate; then the obsession starts, the yearning to control, manipulate, takeover, corrupt. He squeezes my limbs causing them the tingle, a sharp tingle. My bones crushing under his weight, forcing me to collapse to my knees and surrender to his mercy. Sucks the oxygen from my lungs and the air surrounding me; caresses my throat with his monstrous hands and crushes it like a piece of rubbish and discards me like I’m shit. I never wanted Fear to rule me, but he has become the reason behind my many scars, demolishing my future and caging me away from the rest of humanity. He has pinned me in my place and has denied me impediment. The person they see is not me, it never was; they see what I covet them to see. I am a sufferer, yet I regain composure, and return to my indifferent mask. The mask that hides the pain, the concerns, the Fear. I am not different to the way I was yesterday, so they should think. I seem like the same old person I was many years ago; besides, seeing is believing, right?

ANXIETY
I hide away in the solution of your brain. Gnawing away at your sense of security, molding it to shades of cowardice that clings to the walls of your spiralling mind. Squeezing the fear, pain reinforces the angst crawling through you. I am IN you; I AM you. Sanity is rejected for the bleak coverage of agony, panic, self-destruction. I am controlling your every thought, I am your thoughts; agony is what binds you to my very existence. Without your existing agony I would not be here. I create your stimuli, your point of panic. Sucking the oxygen from the depth of your lungs as you choke out tears in retaliation. You embody living hell. You embody Fear. And I embody you. I am what defines you, what do you think about that? Why so teary-eyed, deary, what thought have I provoked this time. Oh look, a crowd of people, people you don’t know, a HUGE crowd of strangers heading right this way. Ooh, and what’s this? Are they talking to … random people? Oh dear, oh dear, oh dear. See that guy there? In the stripy shirt? He is heading straight … this … way. Don’t worry darling, a strong lap from me should clear that clouded little head of yours. This is my design.

Tuesday, 31 January 2017

First Rehearsal - So Sing

So Sing - First Rehearsal

Human - Rag'N'Bone
(I'm only human
I'm only, I'm only
I'm only human, human)

Maybe I'm foolish, maybe I'm blind
Thinking I can see through this and see what's behind
Got no way to prove it so maybe I'm lied

But I'm only human after all, I'm only human after all
Don't put your blame on me
Don't put your blame on me

Take a look in the mirror and what do you see
Do you see it clearer or are you deceived in what you believe

Cause I'm only human after all, you're only human after all
Don't put the blame on me
Don't put your blame on me

Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
I'm only human after all, I'm only human after all
Don't put the blame on me
Don't put the blame on me

Don't ask my opinion, don't ask me to lie
Then beg for forgiveness for making you cry, making you cry

Cause I'm only human after all, I'm only human after all
Don't put your blame on me, don't put the blame on me

Some people got the real problems
Some people out of luck
Some people think I can solve them
Lord heavens above
I'm only human after all, I'm only human after all
Don't put the blame on me
Don't put the blame on me
I'm only human I make mistakes
I'm only human that's all it takes to put the blame on me
Don't put the blame on me

'Cause I'm no prophet or messiah
You should go looking somewhere higher

I'm only human after all, I'm only human after all
Don't put the blame on me, don't put the blame on me
I'm only human I do what I can
I'm just a man, I do what I can
Don't put the blame on me
Don't put your blame on me



Tears Dry On Their Own - Amy Winehouse
All I can ever be to you
Is the darkness that we knew,
And this regret I've got accustomed to.
Once it was so right,
When we were at our high,
Waiting for you in the hotel at night.

I knew I hadn't met my match,
But every moment we could snatch,
I don't know why I got so attached.
It's my responsibility,
And you don't owe nothing to me,
But to walk away I have no capacity.

[Chorus:]
He walks away,
The sun goes down,
He takes the day
But I'm grown,
And in your way,
In this blue shade
My tears dry on their own.

I don't understand
Why do I stress a man
When there's so many bigger things at hand.
We coulda never had it all,
We had to hit a wall,
So this is inevitable withdrawal.
Even if I stop wanting you,
A perspective pushes through,
I'll be some next man's other woman soon.

I shouldn't play myself again,
I should just be my own best friend,
Not fuck myself in the head with stupid men.

[Chorus]

So we are history,
Your shadow covers me
The sky above,
A blaze,

[Chorus]

I wish I could say no regrets,
And no emotional debts,
'Cause as we kiss goodbye the sun sets

So we are history,
The shadow covers me,
The sky above,
A blaze that only lovers see,

He walks away,
The sun goes down,
He takes the day
But I'm grown,
And in your way,
My blue shade
My tears dry on their own.

He walks away,
The sun goes down,
He takes the day
But I'm grown,
And in your way,
My deep shade
My tears dry on their own.

He walks away,
The sun goes down,
He takes the day
But I'm grown,
And in your way,
My deep shade
My tears dry



Ain't No Mountain High Enough - Marvin Gaye
Listen baby, ain't no mountain high,
Ain't no valley low, ain't no river wide enough baby
If you need me call me no matter where you are,
No matter how far; don't worry baby
Just call my name; I'll be there in a hurry
You don't have to worry,
Oh baby there ain't no mountain high enough,
Ain't no valley low enough,
Ain't no river wide enough
To keep me from getting to you babe
Remember the day I set you free
I told you you could always count on me darling
From that day on, I made a vow,
I'll be there when you want me,
Some way, some how
Oh baby there ain't no mountain high enough,
Ain't no valley low enough,
Ain't no river wide enough
To keep me from getting to you babe
Oh no darling
No wind, no rain
Or winters cold can stop me baby, na na baby
'Cause you are my goal
If you're ever in trouble;
I'll be there on the double
Just send for me, oh baby, ha
My love is alive
Way down in my heart
Although we are miles apart
If you ever need a helping hand,
I'll be there on the double
Just as fast as I can
Don't you know that there
Ain't no mountain high enough,
Ain't no valley low enough,
Ain't no river wide enough
To keep me from getting to you babe
Don'tcha know that there
Ain't no mountain high enough,
Ain't no valley low enough,
Ain't no river wide enough
Ain't mountain high enough
Ain't no valley low enough


Keeping Your Head Up - Birdy
Times that I've seen you lose your way
You're not in c
ontrol and you won't be told
All I can do to keep you safe is hold you close
Hold you close til you can breathe on your own
Til you can breathe on your own

Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up, darling
Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up
And I won't let you down

Everyone keeps a darker place
To lose control, you're not alone
And when you come looking for embrace
I know your soul; I'll be your home
Til you can breathe on your own
Til you can breathe on your own

Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up, darling
Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up
And I won't let you down

You never think that you can fly
You'll always swim against the tide
Don't you know your pain is mine?
And I would die a thousand times to ease your mind
To ease your mind

Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up, darling
Hold tight; you're slowly coming back to life
I'll be keeping your head up
I'll be keeping your head up, darling
Let go of all your haunted dreams tonight
I'll be keeping your head up
I'll be keeping your head up
And I won't let you down



We are combining these four songs to create our piece which we will be performing for 'So Sing'.
Throughout each song, selected persons will be performing solo sections (for example, a verse per person) for those who want to push themselves.
We are using countermelodies throughout the performance; an example of this is when we are performing Amy Winehouse, the chorus is split and one half starts singing the chorus of Marvin Gaye whilst the other continues with the chorus os Amy Winehouse.

Monday, 30 January 2017

Variety Performance Review

Variety Performance Review

Hate It When You See Me Cry - Halestorm

After watching over my performance, I found that I had flawed my first few lines, even though I had the lyrics written in front of me on a stand. Perhaps, in my next performance, I should memorise my lines weeks before the performance so that i am confident with them.

During my performance, I didn't use my space well, I tended to stand in one place whilst I sang. Maybe, in my next performance, I will use my space a lot more rather than standing in one place for the entirety of the song.


Thursday, 26 January 2017

Post Audition Preparation

Post Audition Preparation
  • Character: Kath/Keith Casey
  • Character Profile: Typical 'At Home' Mother, Sweet, Kind
  • Developing Character: Sweet, Motherly, Humble
  • Vocal Work/Songs: Pitching, Note Lengths, Lines, Lowering Notes If Necessary  
  • Self-Evaluation: I have never played this type of character before; this will be a challenge for me, however, I will create a character that is well developed and believable.
  • Professionalism: I am going to


Cast List
Character                            Baggy Trousers Cast                House Of Fun Cast
Joe                                        Charlotte                                     Nathan
Sarah                                    Naomi                                         Lois
Reecey                                 Valencia                                      Fran
Billy                                     Megan                                        Megan
Angie                                   Jennah                                        Jennah
Emmo                                  Harry                                          Harry
Lewis                                   Andrew                                      Andrew
Kath/Keith Casey                Vicki                                          Vicki
Joe's Dad                             Maddy                                       Maddy
Policeman/Headmaster/      Raven                                        Raven
Lawyer/Property
Developer




Countermelody: Vocal Warm-Up Using P!nk's 'Just Give Me A Reason' and James Blunt's 'You're Beautiful'.