SUMMATIVE ASSESSMENT
RECORD SHEET
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Programme
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BTEC Level 3 in Performing Arts (Musical Theatre)
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Learner Name
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Victoria
Tullett
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Assessor Name
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Rachel Maddix
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Unit No. &
Title
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Unit 3 - Devising Plays
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Target
Learning Aims
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1 Know how to use stimulus material
2 Know how to develop and shape ideas
3 Be able to rehearse for a devised performance
4 Be able to perform devised drama.
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Assignment
Title
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Devise &
Revise
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Issue Date
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15/10/15
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Interim
Submission Date
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15/12/15
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Final
Submission Date
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28/1/16
|
|
Target
criteria
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Criteria Achieved Yes/No
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Final
Assessment Comments
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||||
P1
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Respond to a range of stimuli,
revealing creative ideas
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M1
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Respond to a range of stimuli,
revealing awareness of their suitability for devising and performance
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D1
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Respond
to a range of stimuli with imagination, revealing a clear and creative grasp
of their suitability for devising and performance
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P2
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Develop
chosen ideas and materials for devising
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M2
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Develop
chosen ideas for devising, using insight and imagination to demonstrate a
detailed response
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D2
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Develop
chosen ideas and materials for devising in a perceptive and comprehensive
manner, demonstrating a thoroughly considered, insightful response
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P3
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Demonstrate
cooperation with other members of the company, making contributions to the
group process
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M3
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Demonstrate
cooperation with other members of the company in the devising process, making
useful contributions
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D3
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Demonstrate
a high degree of positive cooperation with other members of the company in
all aspects of the process
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P4
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Develop
devised performance through rehearsal, with support and guidance
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M4
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Develop
devised performance through rehearsal, with minimum support and guidance
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D4
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Develop devised performance through
rehearsal, with thoroughly imaginative and independent application
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P5
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Perform a
devised theatre piece that communicates ideas to an audience.
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M5
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Perform a
devised theatre piece that accurately communicates its intentions to an audience
and shows awareness of its style.
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D5
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Perform a devised theatre piece that accurately
communicates its style and intentions, fully engaging with the audience.
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Summative
comments
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||||||
M1 & M2 You
identified how you developed the stimuli and offered further ideas on how you
could develop it further offering alternative ideas.
D3 & D4 You responded positively to group ideas with enthusiasm. You demonstrated
a high degree of support for other group members by asking relevant questions
to extend original ideas from others. Your blog included comments on the
process and used references to research.
D5
You performed a devised theatre piece accurately communicating its style and
intentions to the target audience. You were able to show excellent use of voice,
body, materials and props to communicate your ideas, fully engaging the target
audience at Broadwater Primary school.
Victoria, you
demonstrated a considerable growth in confidence and the contributions you
made to the group. You were able to suggest ideas, listen to others
effectively and provide some analysis and understanding in your blog – well
done
Merit
|
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Thursday, 12 January 2017
Unit 3 Devising Plays Assessment Feedback
Unit 11 Theatre for Children Assessment Feedback
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SUMMATIVE ASSESSMENT
RECORD SHEET
|
||||||
|
Programme
|
BTEC Level 3 in Performing Arts (Musical Theatre)
|
Learner Name
|
Victoria
Tullett
|
Assessor Name
|
Rachel Maddix
|
|
|
Unit No. &
Title
|
Unit 11 – Theatre for Children
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Target
Learning Aims
|
1 Know how to research, select and refine suitable
material for children’s theatre
2 Be able to devise and shape material for
children’s theatre
3 Be able to perform in children’s theatre.
|
Assignment
Title
|
Primary
Performance
|
|
|
Issue Date
|
15/10/15
|
Interim
Submission Date
|
15/12/15
|
Final
Submission Date
|
28/1/16
|
|
|
Target
criteria
|
Criteria Achieved Yes/No
|
Final
Assessment Comments
|
||||
|
P1
|
/
|
You described the
suitability of material for a children’s audience
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M1
|
/
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You explained the
potential and suitability of material for a children’s audience
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D1
|
/
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You analysed appropriate material for children’s theatre, with
creative ideas for developing its potential
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P2
|
/
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You developed and shaped
material for children’s theatre responding to ideas offered
|
||||
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M2
|
/
|
You actively shaped and
developed material for children’s theatre, offering creative, realistic and
appropriate ideas
|
||||
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D2
|
/
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You shaped with
commitment the material for children’s theatre, showing an appreciation of
what can be effective and appropriate for performance
|
||||
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P3
|
/
|
You performed a role in a
piece of theatre for children using performance or production skills
competently.
|
||||
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M3
|
/
|
You performed a role in a
piece of theatre for children using performance or production skills
confidently.
|
||||
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D3
|
/
|
You performed a role in a
piece of theatre for children using performance or production skills with
confidence, interpretation and flair.
|
||||
|
Summative comments
|
||||||
|
You achieved M1 by explaining the potential and suitability
of the material for a
children’s audience.
You achieved D2 by making an enthusiastic and focused
contribution to the development process. Your ideas and suggestions were imaginative
and inventive showed a firm understanding of the key elements of children’s
theatre and the needs of the target audience.
You achieved D3 by demonstrating a proficient and creative
use of performance and production skills showing imagination and a feel for
the nature of the piece.
Victoria, your approach was constructive and
increasingly focused. You could afford to take a leadership role more
frequently but demonstrated effective development and a real willingness to
develop both your devising piece and your performance skills – Well done.
MERIT
|
||||||
Monday, 12 December 2016
Dance Lesson Seven
Dance lesson Seven
Final Rehearsal before the Dance Show (Dec 13th)
Targets:
Final Rehearsal before the Dance Show (Dec 13th)
Targets:
- I need to add facial expression to express the character that I am portraying during the performance.
- I need to use more dynamics to create a more engaging piece.
- I need to use more energy where performing so that the performance looks clean and well put together. This also helps to portray character with the amount of energy my character would be using at certain moments.
- Clear dynamics between the slow and smooth movements and the fast and sharp ones.
Sunday, 4 December 2016
Dance Lesson Six
Dance Lesson Six
Over the previous weeks we have been creating a piece for our dance show in December. The themes that we are basing the piece on are: gangs, identity, anger, fighting, gestures, Indian influence.
Throughout the piece, we perform as a whole group, smaller groups, pairs and individually. This helps each person to create different movements and combinations that display the themes we are portraying through their own individual style.
We first start with a solo from Lois as four of us, Megan, Fran, Jennah and myself, are standing at the back. We then join her and perform the floor routine; when we point towards our hands the rest of the group enter from upstage right diagonally forward. After this, we perform the main phrase as a whole group. Some run off upstage left whilst others role upstage right, leaving Lois, Megan and Charlotte centre stage. After their lift, their partners run on and join them with their set-movement phrase. When they are finished, Maddy and myself, Fran and Andrew run downstage and perform our partnered pieces; after we have finished Valencia and Nathan perform their partnered piece. Once they have finished we all walk centre stage to create a circle around Lois, we then walk around her slowly as she is performing several lifts with different partners and groups, every eight steps we take in the circle we lunge downwards. Once Lois has performed her last lift we all slide on the eighth step; we then rush towards Lois and block her as if we are attacking her. we then run upstage to our corners and Lois remains centre stage as we perform our gang routine towards the other group. We then run to our solo spots and perform our solos. Once we have all finished we then join our partner and performa our constant-touch fight scene and slowly die of partner at a time. Then Lois performs a small solo piece before walking off upstage left.
I feel that this structure is affective because it has a range of different routines that line nicely and contrast from the last in a way that creates a sense of hurriedness that adds to the idea of fighting and anger.
Over the previous weeks we have been creating a piece for our dance show in December. The themes that we are basing the piece on are: gangs, identity, anger, fighting, gestures, Indian influence.
Throughout the piece, we perform as a whole group, smaller groups, pairs and individually. This helps each person to create different movements and combinations that display the themes we are portraying through their own individual style.
We first start with a solo from Lois as four of us, Megan, Fran, Jennah and myself, are standing at the back. We then join her and perform the floor routine; when we point towards our hands the rest of the group enter from upstage right diagonally forward. After this, we perform the main phrase as a whole group. Some run off upstage left whilst others role upstage right, leaving Lois, Megan and Charlotte centre stage. After their lift, their partners run on and join them with their set-movement phrase. When they are finished, Maddy and myself, Fran and Andrew run downstage and perform our partnered pieces; after we have finished Valencia and Nathan perform their partnered piece. Once they have finished we all walk centre stage to create a circle around Lois, we then walk around her slowly as she is performing several lifts with different partners and groups, every eight steps we take in the circle we lunge downwards. Once Lois has performed her last lift we all slide on the eighth step; we then rush towards Lois and block her as if we are attacking her. we then run upstage to our corners and Lois remains centre stage as we perform our gang routine towards the other group. We then run to our solo spots and perform our solos. Once we have all finished we then join our partner and performa our constant-touch fight scene and slowly die of partner at a time. Then Lois performs a small solo piece before walking off upstage left.
I feel that this structure is affective because it has a range of different routines that line nicely and contrast from the last in a way that creates a sense of hurriedness that adds to the idea of fighting and anger.
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